“spectacle”造句，怎麼用spectacle造句

It was really an absurd spectacle.

The city after the earthquake was a terrible spectacle.

The Beijing Olympic Games were a powerful spectacle, stunning in sight and sound.

It is a spectacle, for everyone. I do not care about that.

As an army officer he was not allowed to vote, but showed up anyway to enjoy the spectacle.

She bemoans the way electronic media, with their demand for spectacle and brevity, have shortened our attention spans.

Today there is no spectacle so ridiculous as the British public in one of its periodic fits of panic about the National Health Service (NHS).

Mr Spielberg became America’s best-known, and perhaps best, film director by fusing blockbuster spectacle with an unflinching take on family life.

At that moment, I'm awe-struck by the power of the season changing from winter to spring, and I realize the spectacle would not be as beautiful without the dark gray cloud on the horizon.

The pleasure they give is therefore the same, as we tick off the ones we know, the constellations, the Pointers to other stars, the little clusters, the whole almighty spectacle.

A magnificent, useful, and charming spectacle.

We remenber that splendid spectacle forever.

The sages of Greece and Rome turned aside from the awful spectacle.

The spectacle is outlandish, yet it’s somehow in sync with what rockers feel at their most transcendent.

The desperate spectacle in Mumbai could damage Congress's prospects in pending state polls and even cost it the next general election, which must be held by May.

The spectacle was all the more remarkable for being carried live on television, even as the waves engulfed flat farmland that offered no resistance.

A curious spectacle was witnessed.

Like Disneyland and the circus, art was spectacle.

In the foreground is a small part of the vast throng that flocked to Cocoa Beach to witness the spectacle.

Could any spectacle, for instance, be more grimly whimsical than that of gunners ourselves very seriously what will happen if this twofold use of knowledge, with its ever-increasing power, continues.

If only all transaction costs could be as thrilling a spectacle as Aalsmeer or Tsukiji.

She was a spectacle, sure enough.

Sadness, here, is not an inward experience of depression, it is the encounter of grief, nostalgia, and sorrow in a public spectacle that requires violent retribution.